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InfosDiffusionsCastingRésuméDepuis leur déménagement à Smallville, Superman est absent du ciel de Metropolis et la criminalité revient. Sam n'accepte pas le choix de Clark de faire passer son rôle de père avant sa responsabilité de super-héros. Il décide de prendre les devants. Lors de l'incident du feu de camp près de la mine, un matériau émettant une phosphorescence jaune semble avoir permis à Tag de développer un pouvoir. Ce matériau est la raison pour laquelle Morgan Edge souhaite disposer des droits d'exploitation de la mine. Il projette de lever une armée de soldats méta-humainsGenreSérie - FantastiqueAnnée de sortie2021AvecTyler Hoechlin, Elizabeth Tulloch, Jordan Elsass, Alex Garfin, Emmanuelle Chriqui, Dylan Walsh, James Bamford, Michael Narducci, Katie AldrinInfos supplémentairesProgramme déconseillé aux moins de 10 ansAvis des internautes 1Vous avez aimé ce programme ? Superman et LoisSuperman et Lois - Saison 1
Caravec son Superman et Lois, le canal en question a enregistré des audiences exceptionnelles, bien au-delà de ce à quoi nous pouvions nous attendre. Un succès plutôt mérité, compte-tenu de la qualité globale de la série en question. Aussi, une saison 2 est d’ores et déjà annoncée. Superman et Loïs : Lana Lang de la partie A better family drama than a superhero below review of Season 2 of Superman & Lois discusses some important plot points, but no major spoilers. Season 2 is now streaming on and The CW's so often, fans of superhero media clamor for stories about civilians living in these fantastical worlds the movie or TV equivalent of Marvels by Alex Ross and Kurt Busiek. Season 2 of Superman & Lois scratches that particular itch, partially on purpose — its focus on one Smallville family is the series’ highlight — and partially because its title characters and their world-ending entanglements aren’t as interesting this time. It’s more scattershot than Season 1, featuring unimaginatively conceived villains with hodgepodge plans, and heroes going mostly through the motions, but on a human level, the way these events radiate outward leads to some fantastically written and acted season begins in an interesting place. The Gregory Smith-directed premiere, “What Lies Beneath,” picks up a few months after last season’s cliffhanger, which saw Natalie Tayler Buck, the teenage daughter of John Henry Irons Wolé Parks and Lois Lane Elizabeth Tulloch, on an alternate Earth, arriving on this one to rescue her father. She finds out her mother isn’t quite her mother, but what’s more, she discovers that “our” Lois is married to the Kryptonian Ubermensch that killed her back in their own universe. It’s an awkward adjustment period, to say the least. Clark Tyler Hoechlin and his teenage sons, football player Jonathan Jordan Elsass and awkward romantic Jordan Alex Garfin, mostly watch from the sidelines, as the pseudo mother-daughter duo approach each other with caution. Lest we forget, the Lois we know had a miscarriage many years ago, and she would’ve named her daughter Natalie. There’s unprocessed grief and anger on both sides, and it finally grants Lois narrative centricity narrative agency is another issue; perhaps it’s too much to ask in a show driven by supernatural beings.However, this premise dissipates rather quickly to make room for the season’s central premise. Someone, or something, keeps trying to bust its way through the Smallville mines — this creature is later revealed to be a warped, alternate-universe version of Superman, based on the comics’ Bizarro — and in order to deal with it, our Superman must liaise with the new head of the Lt. Anderson Ian Bohen, a driven and intriguing antagonist, if only for his quiet mistrust of the Man of Steel. This Bizarro Clark Kent is eventually tied to events unfolding elsewhere self-help leader Ally Allston Rya Kihlstedt keeps amassing followers by preaching about some phantom “other world” in which people can merge with their doppelgangers in order to become whole — platitudes that work to drive the plot, but aren’t nearly as disquieting as a tale of predatory cult tactics should be. Lois is involved in this subplot too, since her sister Lucy Jenna Dewan, who plays a version of the character on Supergirl is drawn in by Ally’s promises, but as usual, the ace reporter is along for the ride, responding to events and bouncing between other people’s drama even though Tulloch imbues each beat with urgency.The real meat of the season, however, is the Cushing/Cortez/Lang family, the Kents’ neighbors, comprising Clark’s childhood sweetheart Lana Emmanuelle Chriqui, her rough-around-the-edges firefighter husband Kyle Erik Valdez, and their teenage daughter Sarah, played by the incredible Inde Navarrette they also have a second daughter, Joselyn Picard’s Sophie, but she’s always at ballet practice or a grandmother’s house; the show’s disinterest in her plays like a strange running joke. See, Sarah is Jordan’s girlfriend, and she’s being kept in the dark about his superhuman abilities not to mention, his family’s other super-secrets and while Jordan is technically a lead character — and Garfin is undoubtedly a treat to watch — he functions mainly as a bridge for the Cushings’ involvement in Season 2. It’s primarily their story, and they tell it boldly from start to and Lana’s troubled marriage is finally on the mend, only his dishonest past comes back to bite them at the worst possible moment Sarah’s quinceañera. As it is, Sarah herself is caught between Jordan’s growing aloofness and her own burgeoning bisexuality, and what Navarrette does in response to this story is marvelous to behold. Last season, we were given hints about Sarah’s past depression and her suicide attempt; she doesn’t quite crumble to that degree this time, but over the course of 15 episodes, Navarrette takes us through a quiet journey of why and more precisely, how a teenager ends up turning inward and growing distant from their family. Her demeanor changes in subtle ways, but Navarrette externalizes — often through glances, and by staring off into nothingness — the ways she’s being pulled and pushed internally, even as she sits still. Her relationship doesn’t make sense. Her parents’ marriage is on the rocks once more — since Smallville is hurting financially, Lana chooses a career in local politics, rather than forgiving Kyle’s repeated screw-ups — so she has nowhere to turn but Kent family drama, meanwhile, isn’t inert by any means. Tal-Rho Adam Rayner, Clark’s biological brother and last season’s big villain, enters the fray as a friendly Hannibal Lecter type, a prisoner with vital information, but someone who genuinely wants to change — if only to be finally accepted by family. It’s a touching arc, even though it’s often sidelined in favor of the world-threatening plot. Jordan, as usual, deals with keeping secrets while trying to live a normal teenage life, but the Kent MVP this season is Jonathan, whose jealousies over his brother’s powers lead not only to some self-destructive decisions, but to subsequent ethical dilemmas that challenge Clark and Lois’ parental instincts. It’s a brief but dense family saga that forms the backbone of several episodes, before Superman has to fly off to save the day once final few episodes bring together the season’s drama in satisfying the show is at its best when Superman isn’t present at all. At one point, he escapes into the dimension from which Bizarro hails, and where another version of Ally is attempting to achieve the same world-merging goals. In the process, the ninth episode the Ian Samoil-directed “30 Days and 30 Nights” is allowed to slow down and focus entirely on the Smallville drama in Superman’s absence, but soon after, we’re yanked into the aforementioned alternate reality for some mind-numbing antics. Human villain Anderson skips about 15 dramatic beats in order to transform into a major threat, while the Bizarro planet — cube-shaped though it may be, like in the comics — is revealed to be pretty much like our own, only slightly red-tinted and with more Goth-inspired fashion. It’s a dour and deeply uninspired rendition of a quirky comic book concept — people whose physiology and morality are the “inverse” of ours in every way — leading, here, to the main cast playing versions of themselves who only differ because they have a bit more of a this overarching premise flailing and eventually flatlining, the final few episodes bring together the season’s drama in satisfying fashion. The question of whether the Kents should be keeping their identities secret becomes a key point of dramatic tension — especially since it challenges the character’s central premise since 1938 — and it’s given enough room to unfold in the season’s back half, though it mainly works because Sarah and Lana are eventually roped up in this Cancelled and Ending TV Show Announced in 2022Season 2 may not be nearly as coherent as its predecessor, nor does it take the time to let many of the Kents’ emotional challenges breathe. However, its supporting cast — Navarrette, Chriqui, and Valdez — practically warp the series around themselves via their characters’ touching, complicated drama, until Superman & Lois becomes less a show about its title characters, and more about the regular, everyday people caught up in their its sci-fi story flounders, Season 2 of Superman & Lois remains engaging thanks to its teenage relationships and family melodrama, courtesy of Clark Kents’ civilian neighbors, the Cushings. Inde Navarrette plays Sarah, a teen girl turned inward, while her parents, Emmanuelle Chriqui’s Lana and Erik Valdez’s Kyle, form the show’s backbone as a couple dealing with a rocky past. Perhaps without meaning to, the series becomes about the ripple effects of living in a world of This ArticleSuperman & LoisSuperman & Lois is a spinoff of Supergirl and focuses on the pressures Lois and Clark face in balancing their professional lives, superhero responsibilities, and raising a 2 of Superman & Lois succeeds because of its deft family drama, courtesy of the Kents’ civilian neighbors. 0zc8.