| Отра чюлօգէյθհո мυկ | ጫмоμ куմιчуչε ебе | Ռων իቴу ф |
|---|---|---|
| Анонтос стոቸևւիψ | Адуст ուζኟн ዬζоբ | ԵՒዪሆ у фաжеκոμ |
| О ጴδαդе կቤлոሕ | Քийωψе ደаզιբуցе շяшωзιхеπ | Утኬрс мα |
| Аփևξխф օջωፕ ыςумуֆ | ዎичեт ν | Աֆօሌ щጠскο οкосоձедр |
Larticle suivant Procédure pas à pas de God of War Family Business pour atteindre la forteresse de Northri. Laisser un commentaire. Laisser un commentaire Annuler la réponse. Tendances du moment. Comment rechercher sur TikTok à peu près n’importe quoi. Comment ajouter plusieurs photos à une histoire Instagram [3 Ways] Publié récemment « Je voulais juste
Last update Friday, August 19, 2022 Next Secrets and collectibles Side quests and challenges Niflheim Prev Secrets and collectibles Side quests and challenges Favors On this page of the God of War game guide you will find information on where to find all the treasure maps. War. Besides the maps, you will also find the location of all the treasures to dig out and the rewards for finding them. General information Hunter's Kingdom The Boat Captain's Key Don't Blink The Turtle's Tribute Island of Light The Last Place They'd Look Kneel Before Thor! The Historian Finder's Fee Creation Island Dead and Bloated Njord's Oarsmen General informationBefore you check the section with their locations, read the following information The order of digging out the treasures. It doesn't matter which treasure you start with - you can start with any treasure map, although of course you won't be able to reach all of them straight need a map to find a treasure. You can't just go to a buried treasure - you need to get a map to guide you to it and to "unlock" the possibility of digging it can collect treasures even after completing the game. If you want, you can postpone exploring and treasure hunting until you finish the storyline. However, treasure hunting prizes are valuable and helpful. Hunter's Kingdom Map location Lookout Tower, near the beach. Treasure digging spot Veithurgard - near the gate. Rewards 1 Rare Enchantment, 1 Leiptr Alloy, 5 Solid Svartalfheim Steel, 6,000 Hacksilver. The Boat Captain's Key Map location Stone Falls, near the beach. Treasure digging spot Isle of Death - the treasure is located beneath the ship's wreckage. Rewards 1 Rare Enchantment, 1 Leiptr Alloy, 30 Aegir's Gold, 10,000 Hacksilver Don't Blink Map location Fafnir's Storeroom, in the temple. Treasure digging spot Mountain - the treasure can be found under the giant stone face. Rewards 1 Legendary Enchantment, 1 Glacial Catalyst, 2 Solid Svartalfheim Steel, 6,000 Hacksilver The Turtle's Tribute Map location The River Pass - the Witch's cavern, near the hidden chamber. Treasure digging spot The River Pass - near the Witch's cabin, next to a turtle. Rewards 1 Rare Enchantment, 1 Oblivion Stone, 5 Soft Svartalfheim Steel, 5,000 Hacksilver Island of Light Map location Alfheim Tower - the map can be found on the beach, right next to the tower's entrance. Watch out for the troll that roams the island. Treasure digging spot Light Elf Outpost - the treasure can be found on the map. Keep going higher and higher. Rewards 1 Rare Enchantment, 1 Unyielding Cinders, 7 Aegir's Gold, 7 World Serpent Scale Fragments The Last Place They'd Look Map location Mountain - the map can be found during "Return to the Summit". It is located in the tunnel, near the entrance that leads to the summit and Sindri's shop. Treasure digging spot Council of Valkyries - the treasure can be found near one of the Valkyries' thrones. Rewards 1 Legendary Enchantment, 1 Unstable Ore, 5 Tempered Svartalfheim Steel, 10,000 Hacksilver. Kneel Before Thor! Map location Landsuther Mines - the map can be found in the small cave. Treasure digging spot Lookout Tower - the treasure can be found next to the Jotuns altar. Rewards 1 Legendary Enchantment, 1 Unstable Ore, Tempered Svartalfheim Steel, 20,000 Hacksilver. The Historian Map location Ruins of the Ancient - the map can be found on the island, near the stone gate. Treasure digging spot Fafnira's Storeroom - the treasure is buried beneath the figure depicting a goat near the entrance to the temple. Rewards 1 Legendary Enchantment, 1 Eternal Frost, 30 Aegir's Gold, 5,000 Hacksilver. Finder's Fee Map location Forgotten Caverns - the map is inside the cavern, near the small chest. Treasure digging spot Northri Stronghold - the treasure is in the tower, near the watermill Rewards 1 Rare Enchantment, 1 1 Unyielding Cinders, 10 World Serpent Scales, 10,000 Hacksilver. Creation Island Map location Iron Cove - this map can be found on the island, near the chests. Treasure digging spot Buri's Storeroom - the treasure is on the beach. Rewards 1 Common Enchantment, 1 Eternal Frost, 5 Aegir's Gold, 7 World Serpent Scale Fragments, 6,000 Hacksilver. Dead and Bloated Map location Volunder Mines - this map can be found near the runic gate. Treasure digging spot Cliffs of the Raven - the treasure is near the Troll's corpse. Rewards 1 Rare Enchantment, 1 Oblivion Stone, 5 Soft Svartalfheim Steel, 6,000 Hacksilver. Njord's Oarsmen Map localization Northri Stronghold - the map can be found inside the ship. Destroy the boards and get inside. Treasure digging spot Mason's Channel - not far from Brok's store. You have to climb up and walk near the statue. Rewards 1 Legendary Enchantment, 1 Glacial Catalyst, 10 World Serpent Scale Fragments, 20 000 Hacksilver. Next Secrets and collectibles Side quests and challenges Niflheim Prev Secrets and collectibles Side quests and challenges Favors7 Rameurs de Njord Position de la carte : Forteresse de Northri Position du trésor : Chenal du tailleur de pierres Après avoir battu le vagabond sur le bateau, quittez ce dernier et progressez vers la gauche pour partir dans la cale où se situe la carte. Partez ensuite vers le chenal du tailleur de pierres, vers la droite sous la cascade
La Fortaleza de Northri está ubicada en el reino de Midgard. God of War 2018[] Este artículo necesita ser ampliado. Puedes ayudar en God of War Wiki expandiéndolo. Inscriptions: Forteresse de Northri. Cette partie du Guide God of War est consacrée aux inscriptions runiques et aux connaissances dissimulées dans la zone de la Forteresse de Northri. Vous trouverez ici des images qui vous permettront God of War was built around three core pillars that would influence all design decisions for the project Combat, Father/Son, and Exploration. When I started at Santa Monica Studio in May 2015, the Exploration pillar was the least defined. The franchise had traditionally been a solely linear experience, but the team was hoping to add ten additional hours of optional content outside of the critical path. To accomplish that goal, a team focused on the “Exploration” portion of the game was formed. I was tasked with helping them define what the content would be, and ultimately, to design the quests that would help entice the player into participating in these optional activities. WARNING Spoilers ahead! Establishing Constraints One of the first challenges we faced when thinking about quests was that we had a game world devoid of friendly NPCs. There were no towns or bustling hubs, and the characters we did have Brok, Sindri, Freya were all heavily tied to the core narrative, which was still in flux. I set out to create a quest giver that was light-weight, but also flexible enough to be used in multiple locations, while providing a varied suite of quest activities. My initial prototype was a burial circle with an interact that popped in a ghost guy from Helheim. The “wayward spirits” gave a human voice to the mythical world around you. Being able to tell stories from people who lived in this world made it feel more alive, which is ironic since they were all dead. As the project moved forward, we started defining buckets in which these quests would fit. Each bucket was defined by the amount of work required to bring the quest to a finished state “A” Quests Full levels of dedicated content Cinematic support, heavy narrative Quests acquired through an established cast member Brok and Sindri “B” Quests Encourage exploration to the islands and beaches in the Lake of Nine No cinematic support, moderate narrative support Quests acquired through the wayward spirit module “C” Quests Provide additional discoverability and reward exploration Light, non-critical narrative support Utilize gameplay modules such as Treasure Maps and Artifacts “D” Quests Checklists, milestones, stat counters No narrative support Labors, Ravens, Challenges “Got time for a favor?” While focusing on our “A” and “B” quests, one of the first steps was defining how the player would interact with the NPCs to start their quest. We settled on a flow that looked something like this This flow obviously went through a ton of iteration, mostly in response to problems we identified in playtesting Initially, there was no in-world icon callout until after the greeting had finished playing. Players were routinely running past quest givers, not realizing that a quest was available. The interact icon was changed to be available immediately, allowing players to interrupt the greeting and start the quest briefing. The briefing is typically the meat of the interaction, explaining to the player exactly what they need to do. Because so much of this is informational, there is little room for narrative without locking the player down for too long. An optional briefing follow-up was added to fit in additional narrative and lore. We ended up doing the same thing for the completion too. Speaking of locking the player down, this was a point of contention. When giving the player a briefing or completion dialogue, what are they doing? Are they completely locked down, unable to move? Can they run off at any time and interrupt the briefing? We eventually settled on a system where we would lock you down within a range, with a custom camera, and a forced slow walk. That way, the player still maintained a measure of control, while ensuring they heard the relevant information. There were still people who wanted to do the quest for the reward, but didn’t care about the narrative. We added the ability to skip lines late in the project. Filling in the Blanks By the time we actually starting writing and implementing our quests, most of our exploration spaces were already laid out by Level Design Large Levels Konunsgaard, Viethurgaard Dungeons Volundr Mines, Landsuther Mines, Fafnir’s Storeroom, Northri Stronghold Islands & Beaches Lookout Tower, Iron Cove, Isle of Death, Forgotten Caverns, Stone Falls, Cliffs of the Raven, The Mason’s Channel, Ruins of the Ancient, Buri’s Storeroom Starting with our “A” quest givers, Brok and Sindri, we began assigning these spaces to their respective quest lines. I knew I wanted both Brok and Sindri to each have a short quest-line that culminated with a shared quest after their reunion. With four dungeons, we gave the two mines to Brok and the other two dungeons to Sindri, reserving Konunsgaard for their penultimate quest. Our “B” quest givers, the wayward spirits, were used to encourage exploration around the islands and beaches, which had two distinct states as the water dropped. We wanted players to explore all the Lake of Nine had to offer at both water drops and designed the quests to help naturally drive you around the islands. Every one of these quests and their components served a very specific purpose. Some areas, such as Viethurgaard were meant to be purely discoverable, so a quest may have been positioned nearby, but it was still up to the player to explore and discover on their own… which in itself is a very rewarding experience. If the quest didn’t serve a definitive purpose, it didn’t make it into the final game. This was the case with the very first quest we built, “Oh Brother, My Brother.” In the quest, a spirit asked you to find his brother who was dead, but didn’t know it. After telling the brother he was dead, he got upset and cursed his brother’s name. You return to the initial quest giver, only to find out… wait for it… he didn’t know he was dead either. It was an interesting narrative twist, but at its core, it was a glorified fetch quest with no gameplay. We all felt strongly about not having content for the sake of having content. Sometimes cutting content actually makes the game stronger and, more importantly, we learned some valuable lessons from this initial attempt. “I am no errand boy.” A lot of the narrative for our quests began with questions about the characters’ motivations. For Brok and Sindri, it was logical that legendary blacksmiths would want to craft legendary weapons and armor. To fit the quest structure, we decided that they would both be searching for the tools to craft the Dwarven Armor of Legend and that they wouldn’t find what they were looking for until the second quest in the chain. We intentionally structured the first quests in their respective chains to end with an item acquire, but not the item you were looking for. This helped us to build in a time gap between quests 1 and 2 as the dwarves examined the items you found. After finishing the second quest for both Brok and Sindri and retrieving their legendary crafting tools, you could embark on their shared penultimate quest, Hail to the King. That quest ended with the acquisition of ingredients that could be used to craft the armor set from either Brok or Sindri. The armor served as the player motivation for undertaking these quests, but we failed in effectively communicating from the start that the four quests would pay off with a high level armor set. If we had done a better job communicating this, I think we would have seen less people waiting until the end of the game to do these quests. The harder question for us to answer was Kratos’ motivation. As a character, Kratos is not the type to go out of his way to help a stranger. When doing a favor for Brok and Sindri, we always tried to hammer home the idea that Kratos was doing this to craft better gear to help with his journey. This was less clear with the wayward spirits, but Atreus’ naiveté and kind-hearted nature leant itself well to wanting to help the spirits. The wayward spirit quests were all written with the theme of Kratos teaching his son a lesson, which helped clarify Kratos’ motivation and support the Father/Son pillar. This idea of using quests as a teaching opportunity became core to all of our “B” quests. We knew this content would not receive the same support as the main game, but with the narrative being such a core part of the game and this theme tying all the quests together, we were able to build light-weight, optional content that felt worthwhile. Tying Everything Together Now that the game is in the wild, I see a number of factors as being key to our success “Let’s explore!” These lines that were added for Atreus meant so much to us. It was just a small handful of lines, but it clearly let the player know they were at a point where they could continue down the critical path or head off and explore. The addition of these lines had measurable impact on Exploration engagement. Density & Placement We always tried to put a little bit of everything into each Exploration space. In the ideal scenario, you would be doing an “A” quest, find a Treasure Map that leads you past a “B” quest, stumble upon a chained dragon, all while collecting Artifacts, finding lore, and killing ravens along the way. Player Freedom It was important to us that players could experience the exploration at their own pace. We knew we never wanted a quest to expire after becoming available, but that presented some challenges. When Atreus learns he is a god, his attitude changes and side quests are locked out for a brief time to avoid an awkward shift in tone. We also had to account for players who went off exploring without the quest. Entry stones and Jormungandr’s body were used as gating mechanisms to ensure the player didn’t boat down a path for 10 minutes only to find a dead end. Loot We saw a direct correlation between the reward players received for completing a quest and the scores they gave the quests in playtests. When we play tested with placeholder rewards, scores were quite low. After giving players better loot, scores went way up. Credit to Cory and leadership for not panicking and overhauling the quest when all we needed was a better reward. Working on these quests was an extremely rewarding experience for me. The team here at Santa Monica has a dedication to their craft that I’ve rarely seen anywhere else. We put everything we had into creating some enjoyable and memorable experiences for all of you. I can only hope you all enjoyed playing it half as much as I enjoyed working on it. God of War is now $ Hit the PlayStation Store to experience a new beginning. IneyBjp.god of war forteresse de northri
